Written by
Richard Burke and first published at Green
Social Thought
It has been said that science fiction is not about the future, but a way of commenting on the present. With that in mind contemplate a vision of New York City in 2140. The seas have risen, and downtown Manhattan is flooded like Venice. The streets have become canals, and boats have replaced cars and busses. Skywalks between buildings have replaced sidewalks.
The wealthy
have fled uptown, living in “superscrapers” made possible by new building
materials. In the “intertidal” zone of lower Manhattan former corporate
headquarters, such as the Met Life building, have become housing units run by
cooperatives. Here the less well to do live in cramped living spaces so small
that meals are taken in communal dining halls. They are the comparatively lucky
ones. Others, less fortunate, are squatters in crumbling buildings in danger of
falling into the canals. This is the vision conjured up by Kim Stanley Robinson
in his latest novel New York 2140.
In this
dystopian future, it seems that every bad idea for dealing with climate change
has already been tried. After the first Pulse, or meltdown of the Greenland and
Antarctic ice fields, in the late 21st century geo-engineering was tried. This
of course temporarily slows the meltdown, but does not prevent a second Pulse
from occurring in the early 22nd century, raising sea levels further. “Vertical
farming,” the conversion of floors of urban buildings into spaces for growing
food, is widespread, but serves only to supplement the diet of the residents of
those buildings. Most unbelievable of all, despite a major financial crisis in
the wake of the first Pulse, capitalism thrives and continues to grow. The
government has bailed out the banks and financial firms once more. Neoliberal
austerity has been imposed on the people yet again.
Not for long
though. Kim Stanley Robinson identifies himself politically as a democratic
socialist, and the dystopian picture he creates sets the stage for a revolt
against the capitalist world-system. The main characters in the novel are those
who hatch a scheme for bringing the system down, and then nationalizing rather
than bailing-out banks and financial firms.
The novel is
largely structured around its’ characters, and in two cases pairs of
characters. The novel is divided into 8 parts, with 8 chapters in each part.
Each of the 8 chapters focuses on each of the 5 characters, and 2 pairs while a
separate chapter has various titles such as ‘the citizen’ or ‘the city.’ In these
separate chapters the narrator provides us with background information
regarding the history of his imagined world.
Mutt and Jeff
are the first characters introduced. They are unemployed “quants”-financial
analysts- living in a “hotello”- an inflatable shelter- on the farm level of
the Met Life building. Inspector Gen Octaviasdottir, an African-American
policewoman with an impressively Scandinavian surname, is the second character
we meet. A fellow inhabitant of the Met Life building she is assigned the case
when Mutt and Jeff mysteriously disappear. Inspector Gen then interviews
Charlotte Armstrong, who works for the Householders Union and is chairperson of
the building co-op. Inspector Gen then interviews Vlade, a Ukrainian immigrant
who is superintendent of the cooperative.
Also living
in the Met Life building are: Franklin Garr, an upwardly mobile financial
trader engaged in arbitrage who comes to be dissatisfied with his function in
society; Stefan and Roberto, two ‘river rats,’ homeless orphans whom Vlade is
concerned for (his own son having drowned years ago), and who spend their days
diving in the canals and river trying to find the site of the wreck of the HMS
Hussar which sank during the American Revolution; finally Amelia Black, the
star of a “cloud show” in which she travels the world in her airship, the
Assisted Migration, helping to move animal populations to more appropriate
locations on the post-climate change planet. These are the characters who
conspire to bring the world’s financial system to its’ knees.
The trigger
for the revolt is a hurricane, a superstorm that wreaks havoc on New York City
in 2143. Living a precarious existence in the intertidal zone thousands of
people now find themselves homeless. They crowd into Central Park, where all
the trees have been completely flattened by the storm. Facing a city government
more sympathetic to corporate interests than the welfare of its’ citizens they
become an enraged mob that heads uptown to storm the superscrapers of the
wealthy. For there is surplus housing in New York, much of which belongs to
absentee owners who purchased it primarily as an investment, or as a place to
stay for the few times in the year they actually visit the city.
The angry
masses confront the security personnel of the wealthy owners, and a bloodbath
is narrowly avoided by the timely actions of Inspector Gen who takes the side
of the protestors. Returning from upstate New York where the Assisted Migration
has had to flee from the storm Amelia, viewing these events from above, issues
a call to action to the audience of her show. The plan: a debtor’s strike in
which all rents, mortgages and student loans will now go unpaid. The revolt
spreads worldwide and the overleveraged financial system crashes.
New York 2140
is a brilliant novel, yet is not without flaws. That capitalism continues until
2143 without running into any ‘limits to growth’ strains credulity. So does the
idea that a second financial crisis occurs in the 21st century without
engendering any anti-systemic revolt.
Can we seriously believe that a second such event in this century
involving a government bailout for banks, and financial firms, while further
imposing austerity on the masses would be accepted with resignation?
We are told
that in the wake of the first and second pulses global civilization has had to
rebuild, but could all this actually happen in a political climate of greater
austerity, without government intervention for the welfare of the citizens?
While we are informed that a process for sequestering carbon from the air leads
to the creation of new building materials allowing for the construction of
superscrapers, little to nothing is said about the energy sources used for what
is clearly a high tech society. While buildings have vertical farms, we are
also told that large swathes of the Midwest have been depopulated to provide
corridors for migrating animals. How does this society manage to feed itself?
Some things Mr. Robinson relates here strain credulity.
Keeping in
mind the maxim that science fiction is less about the future than a commentary
on the present, it is possible, but just barely, to overlook these flaws. The
strength of the book lies in Mr. Robinson’s abilities as a storyteller, in his
creation of sympathetic characters that one can identify with, and in the way
that the novel is structured. He is also skillful in writing dialogue. There is
a wealth of obscure historical information regarding Herman Melville’s life in
New York, or the facts relating to the HMS Hussar.
He creates an
interesting tapestry of the life of the city and its’ inhabitants. That, along
with the political message the author successfully transmits, certainly makes
for a compelling story. The concept of a debtor’s strike is an interesting
suggestion for future political action. Perhaps it is best to approach the
novel as a warning for our time rather than as a picture of the 22nd century.
Kim Stanley Robinson’s New York 2140 is a brilliant, if flawed, masterpiece.
New York 2140
by Kim Stanley Robinson ISBN: 978-0-316-26231-6 Orbit Books, New York, 2017